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‘The Sacrifice Game’ is a Delightfully Chilly Festive Treat [Review]

The Sacrifice Game, Jenn Wexler’s highly-anticipated follow-up to her gnarly punk rock slasher The Ranger, takes the overdone but still amusing “god forbid women have hobbies” mem...

‘Hell House LLC. Origins: The Carmichael Manor’ is a Panic-Inducing Addition to a Terrifying Franchise [Review]

Hell House LLC. is back, baby! Found footage horror is a sub-genre that works so well because of the innate realism conveyed by the characters simply filming the events of the movie. Sounds simple, bu...

Perpetrator is a Rallying Cry to be a Total Monster [Review]

We can’t all be nice girls and, as Jennifer Reeder’s latest feminist-horror Perpetrator asserts, we may not want to be either. Over the years, Reeder has cultivated a reputation for craf...

Quicksand is a Ruthlessly Efficient Single-Location Thriller [Review]

When we were kids, quicksand seemed like an actual problem we’d have to contend with as adults and, in a way, it’s kind of disappointing that it isn’t. The quicksand featured in Q...

‘Brooklyn 45’ is Strongest in Its Quietest Moments [Review]

Sometimes, all you need for a film to work is to put a group of great actors in a room together and let them do their thing. Such is the case with Brooklyn 45, the latest feature from writer-director ...

‘The Unheard’ is an Overstuffed but Atmospheric Chiller from Shudder [Review]

With his sophomore feature The Unheard, filmmaker Jeffery A. Brown cements himself as a promising directorial voice in the indie horror world. The contemplative horror follows a young deaf woman named...

Maja and Leah in Attachment

In Attachment, Love Makes a Demon of Us All [Review]

There’s a lot to love in writer/director Gabriel Biers Gislason’s feature film debut, the queer romantic horror Attachment. That’s both a general critical assessment and a summati...

Aaron B. Koontz Is Confident Horror Fans Will Appreciate Scare Package II: Rad Chad’s Revenge [Interview]

Nobody expected Scare Package to be as much of a hit as it was – not least co-creator Aaron B. Koontz who, alongside collaborator Cameron Burns, re-energized the horror anthology in a time when...

‘A Wounded Fawn’ is An Invigorating Blend of Greek Mythology and Bloody Female Revenge [Review]

With a title like A Wounded Fawn, ‘70-style grainy cinematography and even credits stylized to look like fancy sloping script, you might be forgiven for thinking Travis Stevens’s latest ...

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