I passed on checking out Hereditary during its theatrical run so I would be afforded the luxury of taking a break if things got too intense. And I’m glad I did. It’s a beautiful ...
Welcome to Back to the ’80s. This recurring feature aims to take a look at the good, the bad, and the ugly from horror’s most beloved decade. Regardless of which category a particul...
In 2012 I flew from Hartford to Chicago for the Association of Writers and Writing Program’s annual conference. I was a senior in college and I’d never flown alone before. The trip would...
Issue three of The Reckoning, the penultimate issue of every Buffy comic season as a whole, is at least the best of this new miniseries to date. This episode feels like the show on every conceivable l...
There are some franchises that will always continue on, no matter what. Dracula and Frankenstein have proven that they’ll be around forever, both lasting over a century. While the jury’s...
Creature feature fans will know that, more often than not, the promise of a brand new film to drool over is tinged with the anxiety of knowing it’s probably going to turn out to be a load of CGI...
Incident In A Ghostland‘s title card utilizes a font not seen since the National Treasure franchise. Its tagline, “True evil never dies,” and accompanying marketing material seem to ...
Braid, the debut feature from writer-director Mitzi Peirone, is a difficult film to describe. IMDb has a go, but somehow manages to confuse the issue further: Two wanted women decide to rob their weal...
People who don’t like modern horror movies frequently point to the jump scares. I’ve defended them in other reviews (here, here, and here), because they’re not the problem. Jumpsc...