Features
Chronicling the Death of Italian Horror Cinema
There was a time, fondly remembered and not all that long ago, when Italy was the pinnacle of horror filmmaking. In the 1960’s Mario Bava helped define the giallo, a precursor to the American s...
Studio Schlock: Why We Needed Low-Budget Studio Horror (And Why it Disappeared)
I want to talk a bit about one of my favorite eras in horror. It’s a time that I think will sound completely alien to the horror climate we live in now, thriving as it may be. There was a lengt...
Script to Pieces: Brian Yuzna’s Return of the Living Dead 4
Welcome to Script to Pieces, a recurring feature at Wicked Horror where we look at the best, most interesting and at times most unbelievable horror movies that never happened. Sometimes...
The Hannibal Time Forgot: Why Manhunter Needs More Love
After the cult success of Hannibal, there are now two generations who embrace their own version of Hannibal Lecter as the one true representation of the character in their eyes. For some people, Mads ...
Exclusive Interview: Actor Betty Buckley Talks Split
Betty Buckley is horror royalty, thanks to a couple of attention-grabbing performances in Brian De Palma’s seminal Carrie and M. Night Shyamalan’s The Happening, over the course of her sto...
New on Netflix: April 14th, 2017
New on Netflix is a weekly feature here at Wicked Horror where we take a look at the latest additions to everyone’s favorite streaming service. It can be tough sifting through all those horror ...
Not Quite Horror: Kong: Skull Island (2017)
Horror is evolving as a genre. Although your local multiplex is still loaded with the usual contenders, look a bit closer and you’ll find the latest drama, thriller, or crime offering is closer...
Script to Pieces: Clive Barker’s The Mummy
Welcome to Script to Pieces, a recurring feature at Wicked Horror where we look at the best, most interesting and at times most unbelievable horror movies that never happened. Sometimes...
Why The Shining is Just a Ghost Story (And Why That’s Okay)
Stephen King’s chief influence for his novel The Shining was Shirley Jackson’s classic book The Haunting of Hill House. He speaks clearly about this in introductions to the book and in i...